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It was moved to the grounds of Heritage Square in 1975 thanks to the efforts of a grassroots Save Our Station (SOS) campaign. CLNS Media reporters Josue Pavon and Nick Gelso were there in the flesh to provide us with exclusive coverage from the 1984 Celtics reunion featuring Bird, Maxwell, Parish, and McHale. The iconic Celtics players gathered for the grand opening of Dick’s House of Sport at Prudential Center on this past Saturday (April 20). Last Victorian homes ("Donovan's Castle" on right; white house "Saltbox" on left; center house was demolished) on Bunker Hill, 1966.Photo from LA Times Photographic Collection, courtesy of UCLA Digital Library.
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The house was relocated in 1970 to the Heritage Square Museum in Montecito Heights where it remains open to the public. The house was sold many times and was moved from 4501 to 4425 North Pasadena Avenue (now Figueroa Street) before being purchased by James G. Hale in 1906. It remained in the Hale Family until it was acquired by the museum in 1970, as a Los Angeles Historic-Cultural Monument (No. 40). The exterior colors of Hale House were reproduced from chips of the original colors found on the house during restoration. The interior has been restored to represent the rooms as they may have appeared in 1899.
Heritage Square Museum
The Heritage Square Museum in Los Angeles is a community of Victorian-era buildings saved from demolition and moved to their present location, where they have been lovingly restored in an effort to educate people about what life was like in the city during the 1800s. Under normal conditions, visitors are allowed to enter the buildings to view the interior designs and craftsmanship. These days, due to Covid restrictions, the doors of the houses are currently closed. However, you can still wander the grounds and take in the fantastic architecture. During the rapid urban expansion of the 1960s, Victorian buildings in Los Angeles were being demolished at an alarming rate.
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The chimney is characteristic of the high Victorian 'town house' of the period, and the workmanship compares with that of the best built mansions on the old Bunker Hill. The modular, cubic design of the house revealed – and celebrated – its steel-frame structure. Unlike traditional house styles, with windows and doors cut into the centers of walls, Ellwood's design uses only intersecting horizontal and vertical planes, some solid and some glass. To emphasize the drama and depth of the vertical and horizontal lines, Ellwood designed all walls to meet with slightly projecting edges or overhanging roofs. This created the shadow line, a dark contrast at every plane that became a signature element of Ellwood's future designs.
Move to Heritage Square Museum
Designed by renowned architect Ezra F. Kysor, the home contains detailing to convey the wealth and social status of the family. These elements include Corinthian columns, fine hardwood floors, a sweeping main staircase, and marble fireplace mantles. It was built in the fashionable neighborhood (in the 19th century) of Boyle Heights. The Perry's Mount Pleasant House was considered the finest and most expensive residence to arrive in mid-1870s Los Angeles. Shortly after the move, the house was used as a movie set for a film depicting a house bombed in a war. The house was purchased by James G. Hale and his newlywed, Beret “Bessie” Hovelsrud, in 1901.
Costumed actors reminisce about Christmases of their youth and how they compare to today’s traditions in this annual celebration honoring the museum’s existence. Tickets are limited for the event (see heritagesquare.org), but you can do an incredibly good deed by making a small donation, joining or giving a gift membership to your favorite California museum this holiday. Buying merchandise from their catalogs and gift stores also helps support them. While Salvation Army bell ringers volunteer for special causes, the state’s historical museums are often overlooked as charity recipients.
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Hale's niece agreed to sell the house for $1 if it could be moved from the site. In July 1970, the house was lifted from its foundation and moved to the nearby Heritage Square Museum in Highland Park. The move cost $10,300 and an additional $3,000 to raise wires so the house could pass under.
This residence, purchased by James and Bessie Hale about 1901, is a wood frame structure having exterior clapboard siding accented with fish scale shingles and cast plaster ornament around the main, east facade windows and pediments. Other notable features include a veranda at the northeast corner having turned wood posts with curved wood bracket caps and milled ballusters and an ornamental iron rail on its roof. It has brick chimneys with incised geometric detail and corbelled projections at top and a second floor turret window at the southeast corner, also curved wood brackets at the second floor cornice. The Cultural Heritage Commission simply did not have funding for such a project. They successfully raised the funds and were able to move the two Bunker Hill homes to the Montecito Heights site. Sadly, however, after all the trouble to trying to save and move the two structures to their new haven, they were destroyed in a fire.
Other specialized living history events, lectures, and items of historical interest are given on a periodic basis. The long-term vision for the site was to be a living museum featuring homes, a church, train depot, bandstand and “downtown” area with a bank, general store, ice cream parlor, firehouse, restaurant, trolley barn and transportation museum. The story of the museum began during the rapid growth of Los Angeles during the 1960s, when 19th century buildings were quickly being demolished to make way for new development. When the last two residences on Bunker Hill, “Donovan's Castle” and the “Saltbox,” faced demolition, the City of Los Angeles Cultural Heritage Commission (a city agency) sought to save them. They hoped to move the homes down the hill to an open space between Olive and Hill Streets next to Angels Flight railway. Los Angeles Councilman Art Snyder then proposed moving the homes to a strip of parkland alongside the Arroyo Seco Parkway in Montecito Heights.
It wasn’t until the following year that two more rescued residences, the Hale House (originally located not far away in Highland Park) and the Valley Knudsen Home (originally located in Lincoln Heights), were moved to Heritage Square and the site was opened to the public. This picturesque structure is an outstanding example of the late Victorian period in Los Angeles. Its prime significance is that it perhaps best embodies the essence of, or the most typical features of, this historical style in one given example. The building incorporates the ornate carving of wood, both inside and out, that is fast disappearing.
Hale House was saved from the wrecking ball at the 11th hour by the Heritage Square folks at the cost of $1. Originally built at the cost of $4,000 (a small fortune back in the day), the Hale House had been moved a total of three times. The Ford House was built in 1887 as part of a large tract of simple middle-class homes in downtown Los Angeles built by the Beaudry Brothers. The home is particularly interesting because of its inhabitant – John J. Ford, a well-known wood carver. Ford's works include carvings for the California State Capitol, the Iolani Palace in Hawaii, and Leland Stanford's private railroad car. Because of his occupation, the exterior and interior carvings were all done by hand in ornate, one-of-a-kind patterns.
The PX was sitting on a table and saying “cards,” “frog,” and “rabbit”—toy items actually on the table as one of the home’s displays. Colonial Drug is a a recreation of an actual Highland Park drugstore owned by George W. Simmons. The original Colonial Drug was located at the corner of Avenue 57 and Figueroa Street (then Pasadena Avenue), the same spot where Owl Drug once operated (and is now home to Owl Bureau, a bookstore/advertising agency). Simmons’s shop opened after World War I and served the community well into the 1970s. But this particular house is noteworthy because it was owned by one John J. Ford — a well-regarded woodcarver of the day. His work is on display in the California State Capitol and at Hawaii’s Ioliani Palace on O’ahu — as well as the private railway car of one Leland Stanford (yes, that Stanford).
Designed in the Carpenter Gothic and Queen Anne styles, the floor plan also follows the Methodist tradition of non-axial plans. This plan, with the entrance in one corner and the pulpit in the opposite, is known as the Akron style, having originated in Akron, Ohio. Now, this is one of those houses that has had a lot of living within its walls, and there seem to be many spirits in the house, including an adolescent girl. During several sessions with the PX, the home was alive with characters coming through to speak with us.
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